Rema Drops New Single “Kelebu”: A Dance-Heavy Anthem for the Streets
By Vevoboi on August 1, 2025

Nigerian global superstar Rema has returned with another infectious record titled “Kelebu”, a high-energy Afrobeats anthem packed with pulsating rhythms, playful lyrics, and irresistible chants that are already poised to dominate dance floors worldwide. Known for his unique fusion of Afrobeats, trap, and global sounds, Rema once again delivers a track that blends street slang, cultural pride, and international appeal.
The Meaning Behind “Kelebu”
“Kelebu” is a street-inspired chant that carries the energy of communal celebration. Much like Rema’s earlier hits such as “Calm Down” and “Charm”, the song relies on catchy repetition and crowd-friendly hooks. The word “kelebu” is used almost like an incantation throughout the track, creating an addictive rhythm that fans can easily sing along to at clubs, festivals, or on TikTok dance challenges.
The constant repetition of “Kelebu, kelebu, kelebu” paired with playful ad-libs like “Madam, madam” makes it clear that this song was designed with virality and crowd engagement in mind.
Breaking Down the Lyrics
The song opens with Rema’s signature tagline — “Another banger” — instantly reminding fans of his consistency in dropping global hits.
- Chorus: The chorus is hypnotic, repeating “Kelebu” in cycles while blending it with the cheeky callout “Madam, madam.” This creates a dance-heavy hook that DJs can loop endlessly without losing momentum.
- Verse 1: Rema highlights the global reach of Afrobeats, rapping:
“People dey kelebu from Nigeria to Mozambi’ / No time to dey buga, just shake your bakasi.”
Here, he celebrates African unity and the joy of music, encouraging everyone to join the movement regardless of borders. He also reaffirms his influence with the bold line: “No Rema, no party.” - Pre-Chorus: The playful imagery of “Kpepeye dey dance, kelebe dey dance” reinforces the celebratory mood, with Rema using metaphors to describe people moving to the beat.
- Verse 2: Rema flexes his international lifestyle, weaving French phrases and luxury brands into his lyrics:
“Bon appétit, tell me, ‘Merci’ / I’m in Paris rocking my Lanvin / Champs-Élysées, drifting, Lamborghini.”
He effortlessly balances braggadocio with Afrobeats rhythm, painting himself as both a street king and a global icon.
Production and Sound
“Kelebu” stays true to Rema’s Afro-rave identity — a sub-genre he coined to describe his sound. The instrumental is layered with hard-hitting drums, electronic synths, and heavy basslines that give it a futuristic yet traditional feel. It is tailored for nightlife, festival performances, and viral dance challenges.
The production is minimal in some sections, allowing the chants to stand out, while in other moments it explodes into heavy percussion that commands the listener to move.
Why “Kelebu” Will Be a Hit
- Repetition for Virality – The hook is easy to chant, making it perfect for TikTok and Instagram reels.
- Cultural Pride – Rema shouts out Africa, from Nigeria to Mozambique, strengthening the song’s continental identity.
- International Flavor – With references to Paris, Lamborghini, and luxury fashion, Rema bridges the gap between African streets and global pop culture.
- Club-Friendly Energy – The rhythm, chants, and call-and-response setup guarantee it will be a DJ favorite.
Rema’s Place in Afrobeats
Since his breakout with “Dumebi”, Rema has consistently pushed Afrobeats to new frontiers. With “Calm Down” becoming a record-breaking global anthem and his album Rave & Roses Ultra cementing his superstar status, “Kelebu” feels like another step in his mission to dominate both African and international charts.
Final Thoughts
With “Kelebu,” Rema proves once again that he knows how to create music that connects with both the streets and the global stage. The single is more than just a song — it’s a movement built around rhythm, energy, and culture. Expect it to trend on TikTok, flood Nigerian clubs, and cement itself as one of 2025’s hottest Afrobeats releases.
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Published on August 1, 2025
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